5.14.2015

Michael Harwood - At Home





























































































"These photographs were taken in my apartment, a rambling Chelsea walk-up with a large eat-in kitchen - a setting conducive to narrative and metaphor as well as a stimulating and disinhibiting work space for my models.

The men in these photos are friends and acquaintances of diverse professional backgrounds. My method is collaborative and improvisational. My style is casual and intimate, which entails the use of low light and fast film.

I create these images as artful evidence of particular erotically charged events, rather than pictures fashioned with an audience in mind. Yet they have proven to be eminently audience worthy and valued as well by the men who inhabit them."




5.08.2015

Robert Blanchon














































"Robert Blanchon (1965 - 1999) was an American artist born in Foxboro, Massachusetts. His conceptual artworks often dealt with histories of American Conceptual Art, the politics of AIDS and representations of queer sexuality.

Blanchon attended the School of the Art Institute of Chicago from 1984 to 1989, earning both a BFA and a MFA. While in Chicago, Blanchon was an active participant in the non-profit art scene, curating exhibitions at N.A.M.E. gallery, contributing to Tony Tasset, et al.'s artist project Anonymous Museum, and designing a poster for the City of Chicago's billboard campaign Art Against AIDS: On the Road.
 
From 1989 to 1994, Robert Blanchon lived in New York City and worked in the Communications Department at the New Museum of Contemporary Art while producing his photographic, sculptural, performance, and video artworks. He had a studio on Canal Street where he completed many of his early photographic series including the stains, tattoos, and greeting cards series. Also during this period, Blanchon created two of his most widely known and exhibited artworks, "Untitled (self-portrait)" (1991), a series of fourteen self-portraits commissioned by street artists, and "Protection" (1992), a letter by the artist to his mother telling her he was HIV positive, juxtaposed with her twelve-page response. He had two solo shows in New York City, at Artists Space in 1994 and at White Columns in 1995."
 
 
 
 
 Robert Blanchon - Cigarette 500
Portrait of George Mott